AbstractDaniel Defoe is a great English novelist in the18th century. Robinson Crusoe, his masterpiece, is either a pioneering English adventure fiction or a typical colonial literature. It not only is a vivid narrative story about the surprising and adventuring life of Robinson, but also has the theme of colonism which is represented on a series of binary oppositional colonial discourses: the colonial country and the colony, master and slave, the white and the colored, central culture and marginal culture, civilization and savageness, Christianity and cannibals and all that. With post-colonial criticism as its visual angle, this thesis sets on the history of European colonialism, analyzes the description of characters, narrative words and the growing process of “Friday” who loses his national culture identity to deconstruct those colonial discourses, explores the strategies for colonist’s cultural colonization to those people in the colonies and reveals the dilemma of losing their national culture identity. This analysis gives us a new perspective in appreciation this classical work and a typical case study of how the colonists exert the cultural rule on the people in the colonies.Key WordsRobinson Crusoe; colonialism; colonial discourses; cultural colonization 摘 要《鲁滨逊漂流记》是 18 世纪英国作家丹尼尔.笛福的代表作，是英国历险小说的源头，也是一部带有强烈殖民主义意识的文学作品。它不仅生动地讲述了小说主人公鲁滨逊开拓荒岛的详细过程，也描绘了他驯服改造原始部族人“星期五”的手段和策略。本课题着重以“后殖民主义批评”（易小斌，2004：64-68）为视角，拟从历史文化背景、人物刻画以及话语分析入手，对《鲁滨逊漂流记》中所建立起的宗主国/殖民地，奴隶主/奴隶，白种人/有色人，中心文化/边缘文化，文明/野蛮，基督教/食人部族等二元对立的殖民话语体系进行解构，揭示蕴涵在作品中的殖民主义意识，并...
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