以《故宫》为例探析叙事艺术在人文纪录片中的应用摘要纪录片之于国家就如同相册之于家庭，是一种文化的传承。随着电视节目的日益繁多与人们观念的转变，纪录片也从最初的以纪实和过程为主转变为重叙事以故事为主的模式，从而使纪录片重的人、事、物以更加鲜明的形象展现在人们的面前，受到更多人的喜爱，以叙事为主的纪录片不断地受到市场的认可，并更加繁荣。本文以纪录片《故宫》为例，探究人文纪录片的叙事技巧，考察人文历史题材纪录片未来发展及价值内涵，以期通过此文使受众更好的领悟人文纪录片的内在精神，也为其他纪录片的拍摄提供一些参考。【关键词】人文纪录片；《故宫》；叙事技巧AbstractDocumentaryinthecountryasthealbumonthefamily,isaculturalheritage.Withtheincreasingnumberoftelevisionprogramsandpeople'sconceptofchange,thedocumentaryfromtheinitialdocumentaryandprocess-orientedre-narrativestory-basedmodel,sothatthedocumentaryheavypeople,things,withamorevividimageShowinfrontofpeople,bymorepeoplelovetonarrative-baseddocumentaryconstantlybythemarketrecognition,andmoreprosperous.Thispapertakesthedocumentaryfilm"ThePalaceMuseum"asanexampletoexplorethenarrativeskillsofthehumanitiesdocumentary,andstudythefuturedevelopmentandthevalueconnotationofthedocumentaryfilm.Somereferences.【Keywords】Humanitiesdocumentary;ThePalaceMuseum;NarrativeSkills目录引言................................................................1一、概述............................................................11.1人文纪录片.....................................................................................................11.2人文纪录片叙事元素及叙事艺术..................................................................21.2.1人文纪录片的叙事元素........................................................................21.2.2人文纪录片的叙事艺术........................................................................21.3《故宫》概述.................................................................................................3二、《故宫》中的叙事元素分析........................................32.1历史事件.........................................................................................................32.2复杂的人物.....................................................................................................42.3历史情境.........................................................................................................42.4故事化的叙述语言.........................................................................................5三、叙事艺术在《故宫》中的应用......................................53.1叙事特点.........................................................................................................53.1.1纪实性的本质属性................................................................................53.1.2细节化的叙事倾向................................................................................63.1.3多维度的叙事趋势................................................................................63.1.4哲理化的叙事发展................................................................................73.2叙事方式.........................................................................................................73.2.1电视手法与叙事视点............................................................................73.2.2叙事时空..................................................................................................
