五个印在爱马仕丝巾上的高冷故事[2015-01-0510:31]来源：中国日报网字号[大][中][小]免费订阅30天ChinaDaily双语新闻手机报：移动用户编辑短信CD至106580009009国人喜欢抢购奢侈品，但是很少有人能静下心来了解品牌背后的故事。比如爱马仕丝巾，在每幅看似不经意的图案背后，都有着不为人知的故事。跟着小编一起涨知识。L’OmbrelleMagique神奇的伞设计师：Pierre-MarieAprinceoncewantedtomarryayounggirl,asfreeasthewindandasbeautifulasthebirds.SotheOldHermitoftheChestnutTreesofferedhimamagicparasol,decoratedwithaporcelainbird-woman,whichtookhimtothefourquartersoftheworld,fromEasttoWestandfromNorthtoSouth.Whenatlastheplantedakissonitslips,ayounggirlappeared,freedfromherfate。这是一个童话故事：王子想娶一位年轻的姑娘，像风儿一样自由，像小鸟一样美丽。他遇到一个栗树老仙，送了他一把神奇的伞，伞尖上立着一个陶瓷做的美人鸟。这把伞带着王子游历四方，从东到西，从北到南。最后，当王子准备亲吻美人鸟的双唇时，一个年轻的姑娘被命运的枷锁释放，出现在王子面前。ZebraPegasus斑纹飞马设计师：AliceShirleyFascinatedbythemythofPegasus,andthefamouslyuntameableAfricanzebra,AliceShirleyreinventstheclassicallegend,transportingittosouthernAfrica.ThecelestialmountofZeusbroughtforththefountainoftheMuseswithakickofhishoof,andwasturnedintoaconstellationbythekingofthegods.Here,heswapshisimmaculate(完美的)whitecoatforthetwo-tonepatternofhiscloseequinecousins.Completingthishighlyoriginalportrait,hismagnificentwingsturnflamingorange,echoingtheplumageofAfricanparrots。设计师爱丽丝·雪梨沉醉于珀伽索斯神驹的神话，又被非洲斑马的野性所吸引，于是她决定重写传奇，把珀伽索斯和南部非洲完美结合。珀伽索斯是宙斯的坐骑，足蹄踏过之处会涌出泉水，后来被宙斯变成了飞马座。方巾上的珀伽索斯脱去了一尘不染的雪白皮毛，换上了斑马的双色外衣。为了成就一匹独一无二、具有异国情调的飞马，设计师为它的翅膀涂上了如鹦鹉羽毛般绚烂的色彩。MinuitauFaubourg福宝大道的午夜设计师：DimitriRybaltchenkoTheclockstrikestwelve.MidnightinParis,andthecityseemscalmandquiet.ButasignalbeamsoutfromtheEiffelTower:acalltoSuperH!Something’safoot(准备中).Maskedandcloaked,theproudhorseatoptheHermèsbuildingundergoesastrangemetmorphosis,readyforaction.Wewatchbreathlesslyashepreparestotakeflight–amodernPegasusfortheworldofthecomicstrip。12点的钟声敲响，午夜的巴黎显得如此安详与平静。一束信号光从埃菲尔铁塔直射过来，照耀在超大的"H"上，似乎暗示有一些事情正在悄悄上演。隐蔽且隐形的高傲骏马在爱马仕建筑之上，随时准备变形飞入空中。我们焦急地等待着他跃入空中，犹如一个现代版的飞马漫画呈现在我们眼前。Jockey骑师设计师：PhilippeLedouxRidinghighontheracehorsesoftheworld,thejockey’straditionalattirehasbeentransformedandsimplifiedsincethenineteenthcentury.Heavyridingcoatswerereplacedbylightweight,brightlycoloured’silks’,bootsreplacedbuckledslippers,andblackridinghatsdeckedwithflutteringribbonsgavewaytothefamiliarjockey’scap.Theriders’comforthasgreatlyimproved,andracecourseseverywherearebrightwiththevividcoloursofeachracehorseowner’sdistinctivesilk.Increasingnumbersofownersledtoabewilderingarrayofcolourcombinationsandmotifsuntiltheintroductionofpreciserules,in1900.Circlingthesilhouettes(轮廓)ofjockeysintheheatoftherace,afestive,multicoloureddanceofcapsfillsthespaceofthesquare,punctuatedwithluckyhorseshoesateachcorner.Becauseeventhegreatesttalentsometimesneedsalittleluck。爱马仕最初以马具为主，所以丝巾中有很多以马术为主题的图案，这款丝巾就形象的绘画了19世纪开始简化的骑师服装：彩色的轻便骑装、马靴、骑师帽。从...
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