目录摘要..........................................................................................................1Abstract......................................................................................................2引言..........................................................................................................31舒伯特的生平及音乐风格.....................................................................41.1舒伯特的生平....................................................................................................41.2音乐风格..............................................................................................42即兴曲的发展及舒伯特即兴曲D899No.4的创作背景......................62.1即兴曲体裁的出现及发展.............................................................................62.2舒伯特即兴曲D899No.4的创作背景..........................................................63舒伯特钢琴即兴曲D899No.4的特征.................................................83.1《小调即兴曲》.............................................................................................83.2《降E大调即兴曲》......................................................................................83.3《降G大调即兴曲》.....................................................................................93.4《降A大调即兴曲》......................................................................................94《即兴曲D899No.4》的演奏方法....................................................104.1和弦演奏法...................................................................................................104.2跳音演奏法...................................................................................................104.3八度演奏法...................................................................................................104.4左手旋律演奏法...........................................................................................10结论........................................................................................................12致谢........................................................................................................13参考文献..................................................................................................14摘要舒伯特是一位著名的演奏家，他虽然不是即兴曲的创始者，但是，从艺术发展史上来看，为其国内外的演奏史上做出了重要的贡献，本文则以D.899作为它的代表，来深度的剖析它的作品，所带来的一连串队对于演奏艺术来看，所做出的重要的贡献。从它的内容上我们可以看出，是从古典主义向着浪漫主义的发展，而文章又进一步分析了，舒伯特作为音乐人，介绍了他的生平，对这位伟大的艺术家的创作背景进行深度的解析，让我们全面的了解到一个完整艺术家的风范，并且针对他的作品的特征进行阐述以及他独特的写作的方式来让我们更深入的了解他的即兴作品的发展历程，进而可以让我们对演奏艺术大师的即兴演奏曲的演奏产生更加深刻的理解。关键词：舒伯特；《即兴曲D899No.4》；特征；演奏方法AbstractSchubertwasafamousmusician,althoughheisnottheoriginatorofimpromptus,however,fromtheperspectiveofarthistory,athomeandabroadforitsperformanceinthehistoryofmakinganimportantcontribution,thisarticleistod.899asitsrepresentative,tothedepthanalysisofitswork,broughtaboutbyaseriesofteamforperformingarts,madeimportantcontributions.Wecanseefromthecontent,thedevelopmentfromclassicismtoromanticism,andthepaper...
