论迟子建小说的死亡叙述摘 要在中国没有谁比迟子建对于死亡叙述的写作更加温暖了，她向人们表达的对于死亡的态度并不是消极和悲观的，而是以一种温情的写作形式表达着她对死亡独特的见解。本文试从死亡叙述的角度出发，通过分析迟子建小说中对死亡的叙述，研究她对死亡叙述写作的多种类型，总结她文章中的叙述方式及审美特征。正文分为两个部分：第一部分，分析迟子建小说死亡叙述的艺术特质和审美内涵。从叙述的角度出发，分别以儿童的视角和女性的视角来分析迟子建小说中死亡叙述的艺术，以儿童身上的单纯美好和女性的柔美温婉减弱了人们对于死亡的恐惧，使文本呈现出温暖和轻快的色彩。分析迟子建小说语言中丰富的色彩，丰富的色彩冲淡了对于死亡的阴暗。第二部分，分析迟子建在死亡叙述中的超越，生与死本是一体，死亡本来就是一种回归自然的状态，人类生命的轮回本来就是自然万物中一种再平常不过的自然规律，这样的死亡观就使她作品中的人物超越了生死局限而达到了“生死齐一”的境界。关键词：迟子建；死亡叙述；生命观点AbstractDeath is the eternal theme of literature. In contemporary China, few writers are so dedicated to the narrative of death as Chi Zijian. She wrote the meaning of life with the special regional complex on the northeast side. In her writing, death was no longer a sign of cruelty and sorrow, but accompanied by life in a kind of warmth. From the point of view of death narrative, this paper tries to explore the various types of death narrative through the textual analysis of Chi Zijian's novels, and concludes its narrative style and aesthetic features. The text is divided into two parts: the first chapter analyzes the artistic characteristics and aesthetic connotations of the death narrative in Chi Zijian's novels. Starting from the perspective of narratology, in the children's perspective and female perspective analysis of Chi Zijian death narrative art tension, pure and simple female children's soft and weakened the fear of death, and the text presents and r...
