浅议楚辞神话形象内涵及艺术特点摘 要楚辞作为先秦文学典籍，源远流长、深厚博大，自古以来受到各方人士的关注与研究。屈原所作的楚辞中蕴含了丰富的神话与宗教文化材料，各路神灵齐聚一堂，上天入地无所不能，屈原运用了丰富的幻想和浪漫主义的写作手法，抒发其心中的忧愤与热忱。而这些神灵正是其情感喷发的载体，承载着激昂的情感和丰厚的精神，反映了那个时代浓郁的文化气息和耐人寻味的艺术精神。本文从楚辞的文本出发，对楚辞的神灵形象进行了梳理，将楚辞中的神灵形象分为天神形象、人鬼形象、人神形象、生物神灵形象四类。深入探讨楚辞中神灵形象的艺术特征，联系屈原所处时代的社会历史、政治等情况，探求楚辞中神灵形象的文化内涵。最后一章分析了形成这种艺术特征的原因。本文通过对楚辞中神灵形象的深入分析，让我们更加深刻地理解屈原对当时楚国腐败政治的忧愤和他那一腔爱国的热忱。关键词：楚辞；神灵形象；文化内涵On the Connotation and Artistic Features of the Myth Image of the Songs of ChuAbstractAs a pre-Qin literary classic, Chu Ci has a long history, profound and broad, and has been concerned and studied by all parties since ancient times. Qu Yuan’s Chu Ci contains a wealth of myths and religious and cultural materials. The gods of all walks of life gather together to make the heavens and the earth omnipotent. Qu Yuan uses rich fantasy and romantic writing techniques to express his anger and enthusiasm. . These gods are the carrier of their emotional eruption, carrying passionate emotions and rich spirits, reflecting the rich cultural atmosphere and intriguing artistic spirit of that era.Starting from the text of the Songs of the South, this article sorts out the image of the gods of the Songs of the South, and divides the image of the gods in the Songs of the South into four categories: the image of the gods, the image of the ghosts, the image of the gods, and the image of the biological gods. In-depth discussion of the artistic ...
