I“介入”与“距离”：基于毕业作品《久久》论纪录片创作中的人物塑造摘 要纪录片，是从真实生活为取材，选取人物并在确保相对真实的情况下对真人真事进行艺术加工，用真实的情感与事件引发观者思考的一种纪实性影视艺术。而人物纪录片更是以人为本，应是对被摄者生活状态及情感表达的真实呈现。但在拍摄过程中，由于镜头的介入以及被摄者非表演者的情况下，免不了会对被摄者产生一定的影响。创作者在保证纪录片相对真实的前提下，如何保持与被摄者的拍摄距离，运用怎样的拍摄手法，才能塑造出鲜明的人物形象，将是本文要探究的问题所在。创作毕业作品—纪录片《久久》时，主人公久久并不是个演员，其对镜头产生了一定距离，因此对本片的创作走向有了一定阻碍。在这种情况下，笔者应选择怎样的镜头介入方式与拍摄手法去保证纪录片的相对真实性，又如何去塑造鲜明的人物形象，是笔者在制作前期遇到的实质性问题。本文主要探究的是，创作者在拍摄时应选择怎样的介入方式去减少与被摄者间的距离，以及如何在进一步的视听创作中突显人物的魅力与性格，从而达到人物形象塑造的效果。 关键词：人物纪录片，人物塑造，拍摄距离，介入方式，拍摄手法 II"Intervention" and "Distance": Based on the Graduation Works "JOJO" on Character Creation in Documentary CreationAbstractThe documentary is a kind of documentary film and television art that uses realistic emotions and events to cause viewers to think about the fact that real people are selected from real life, select characters and ensure that they are relatively true. The character documentary is more people-oriented, and it should be a true representation of the subject's life and emotional expression. However, in the shooting process, due to the intervention of the lens and the non-performer in the case of the subject, it will inevitably have a certain impact on the subject. The creators, on the premise of guaranteeing the relative reality of the documentary, how to maintain the shooting distance with the photographer and what kind of shooting techniques can be used to...
