摘要表演是行动的艺术，也是活人扮演“活人”给活人看的艺术，所以其中“活人”呈现的好坏，直接影响着观众的观看感受，其重要性不言而喻。这个“活人”的呈现是表演者在台下通过观察生活，了解生活，感受生活等等的阶段，无数次的分析揣摩再加上自身的创造才得以呈现的，一个成功的人物角色塑造是非常不容易的。故本课题对演员台下观察生活阶段进行了分析并阐述，详细说明观察生活乃是表演创作之母，表演创作离不开观察，离不开生活，是生活与艺术的结合，观察生活对演员表演创作是非常必要的。关键词：观察生活 创作 必要性 ABSTRACTPerformance is not only the art of action, but also the art of living people performing specific people to live people. Performance art is the art that live people play "live people" to live people, so the quality of "live people" presentation directly affects the audience's viewing experience, and its importance is self-evident. This "living man" is presented by the performer through observing life, understanding life, feeling life and other stages under the stage, countless times of analysis and speculation plus his own creation. It's not easy to create a successful persona, so this paper analyzes the stage of observing life of actors and explains that observing life is the mother of performance creation. Performance creation is inseparable from observation and life. It is the combination of life and art. It is necessary to observe life for the actor's performance creation.Keywords: observe life create necessity 目录一、生活观察的意义……………………………………………1（一）表演与生活的关系……………………………………………1（二）角色创作的“桥梁”…………………………………………2二、生活中特定的人……………………………………………… 3（一）归纳每一“类”人……………………………………………3（二）注重每一“个”人……………………………………………4三、生活观察的方式……………………………………………… 6（一）步入生活……………...
