摘 要 陈洪绶是明末清初一位风格独特、影响深远的全才型画家。其人物画成就卓越为世人所熟知，以至于很多人忽略了陈洪绶的山水画造诣。陈洪绶的一生可谓多灾多难，然而正是这些苦难，反而促使陈洪绶的画作焕发出新的生命力。其矛盾纠结的性格在经历了亲友离去之苦和亡国之恨后沉淀出独特的处世哲学，使其绘画体现出一种简远古淡的风貌，呈现出稚拙童真、嗜古崇怪、意境缥缈、装饰性强的审美特点，这与陈洪绶的师承渊源、个人经历、晚明的社会政治背景及当时个性解放的思潮和风气有关，也使得陈洪绶山水画成为晚明画坛的一个特别的符号。关键词：陈洪绶；山水画；审美特征Abstract Chen Hongshou is a versatile painter with unique style and profound influence in the late Ming and early Qing dynasties. His outstanding achievements in figure painting are so well known that many people have neglected Chen Hongshou's attainments in landscape painting. Chen Hongshou's life was full of disasters. However, it was these sufferings that brought new vitality to Chen Hongshou's paintings. His contradictory and tangled character precipitated a unique philosophy of life after experiencing the sufferings of relatives and friends leaving and the hatred of national subjugation. His paintings showed a simple and ancient style, showing the aesthetic characteristics of childlike innocence, love of ancient and strange, ethereal artistic conception and strong decoration. This is related to Chen Hongshou's inheritance, personal experience, social and political background in the late Ming Dynasty and the ideological trend and atmosphere of personality liberation at that time, which also made Chen Hongshou landscape painting a special symbol in the late Ming Dynasty painting circle.Key words：Chen Hongshou；Landscape painting；Aesthetic characteristics目 录引 言.........................................................................................5一、陈洪绶其人及山水画...
