摘 要《秦桑曲》是一首创作于 20 世纪 70 年代极具陕西地方特色的古筝曲，在陕西筝派中更被誉为恢复“秦声”的“开山之作”。本文立足陕西古筝流派的主要风格特点，通过对古筝的起源、流派与风格、陕西筝派特色演奏技法与背景的阐述，对《秦桑曲》的演奏风格进行了分析，旨在对该乐曲的演奏与教学具有一定的借鉴作用。关键词： 古筝;秦桑曲;演奏风格Abstract “Qin Sang Qu” is a Zheng music written in the 1970s, which is completed with the unique style and characteristic of Shanxi Koto music. It is lauded as marking the beginning of restoring tunes and songs of Qin. Based on the unique style and characteristic of Shanxi Gu Zheng genre, this paper elaborates the origin of Gu Zheng, schools and style characteristics, special Guzheng-playing skill and background of Shanxi Gu Zheng genre, and conducts the analysis of characteristics of “Qin Sang Qu”. This paper attempts to have some useful references in the performance and teaching of “Qin Sang Qu”.Keywords:Gu Zheng;“Qin Sang Qu”;Performance Style目 录引言................................................................................................................................4一、 古筝起源与主要流派风格特征..........................................................................5（一） 古筝起源...................................................................................................5（二） 主要流派风格特征...................................................................................51.陕西筝..........................................................................................................52.河南筝..........................................................................................................63.山东筝..........................................................................................................64.潮州筝..................................................................................
