目 录摘 要....................................................................................................................IAbstract.....................................................................................................................II引 言...................................................................................................................11 观念摄影《戕害》创作依据................................................................................21.1 刘铮的观念摄影...........................................................................................21.2 观念摄影师伊夫林·本奇科娃......................................................................41.3 林登·韦德的观念摄影作品《ROOM 107》............................................82 观念摄影《戕害》创作综述..............................................................................122.1 观念摄影《戕害》创作背景.....................................................................122.2 观念摄影《戕害》作品阐述.....................................................................122.3 观念摄影《戕害》创作过程.....................................................................143 观念摄影《戕害》的价值及意义......................................................................153.1 观念摄影《戕害》的价值.........................................................................153.2 观念摄影《戕害》作品的意义.................................................................15结 论.................................................................................................................17参考文献.................................................................................................................18致 谢.................................................................................................................20摘 要观念摄影可以说是一种被导演的纪实，因为观念摄影是艺术家凭借观念摄影作品来表达情感或者理念的。在观念摄影中艺术家的情感或者理念占在主...
