摘 要余华小说《在细雨中呼喊》《活着》《许三观卖血记》《兄弟》中的女性形象，可分为善良隐忍型、放荡风流型与撒泼蛮横型。在传统观念中，女性依附于男性生存。作为男性的附庸品，她们逐渐被物品化、工具化，缺少主体性。同时，余华笔下的女性形象不够立体，呈现出扁平化的特点。这些女性形象的成因，主要有两方面，一方面是社会原因，包括经济不独立，社会地位不平等，缺乏独立思维等，另一方面是内在原因，包括作者的成长经历和作者思想的局限性等。关键词：余华；女性形象；物品化；扁平化；无主体化 Abstract The female images in Yu Hua's novels shout in the drizzle, alive, Xu Sanguan's blood selling story and brother can be divided into the good and intolerant, the dissolute and unruly. In the traditional concept, women depend on men to survive. As male accessories, they are gradually materialized, instrumentalized, and lack of subjectivity. At the same time, the female images in Yu Hua's works are not three-dimensional enough, showing the characteristics of flattening. There are two main causes of these female images, one is social reasons, including economic independence, social status inequality, lack of independent thinking, and the other is internal reasons, including the author's growth experience and the limitations of the author's thoughts.Keywords:Yu Hua;Female image; Materialization;Flattening;No subjectivity 目 录一、引 言..........................................................1二、 余华作品中女性形象的分类.......................................1（一）善良隐忍型................................................2（二）放荡风流型................................................3（三）撒泼蛮横型................................................4三、余华作品中女性形象的主要特征....................................5（一）物品化....................................................5（二）扁平化....................................................6（三）无主体化....................
