目 录摘 要....................................................................................................................IAbstract.....................................................................................................................II引 言...................................................................................................................11 研究中国画摄影蒙太奇理论的目的与意义........................................................21.1 研究中国画摄影蒙太奇理论目的...............................................................21.2 研究中国画摄影蒙太奇理论的意义...........................................................32 摄影蒙太奇的形成与发展...................................................................................52.1 摄影与绘画...................................................................................................52.2 达达主义与摄影蒙太奇...............................................................................72.3 超现实主义与摄影蒙太奇.........................................................................103 中西方摄影蒙太奇的异同..................................................................................133.1 约翰·哈特菲尔德与摄影蒙太奇................................................................133.2 郎静山与中国画意摄影.............................................................................153.3 达达主义、超现实主义与中国画摄影蒙太奇的异同.............................164 中国画摄影蒙太奇的表现形式及手法.............................................................204.1 中国画摄影蒙太奇的表现形式................................................................204.2 实现中国画摄影蒙太奇的技术手法.........................................................21结 论.................................................................................................................25参考文献.............................................................................................
