物哀美学在三维动画短片《时光的礼物》中的审美诉求研究 A study on the aesthetic appeal of Mono-no-aware in the three-dimensional animated short film the gift of time 中文摘要物哀一词起源于日本江户时代，与其说物哀，不如说是主观情感与客观环境的共振。本论文受日本物哀文化的启发，研究物哀美学在三维动画中的审美诉求。关键词: 物哀美学 日本动画 原生家庭 校园欺凌 儿童心理 心灵 挣脱 拯救 母爱23AbstractThe word " Mono-no-aware " originated in the Edo era of Japan. It is not so much the resonance of subjective emotion and objective environment as that of Mono-no-aware. This paper is inspired by the Japanese material mourning culture, and studies the aesthetic appeal of material mourning aesthetics in three-dimensional animation.KeywordsMono-no-aware; Japanese animation Native family Campus bullying Children psychology Heart Break free Salvation Maternal love23目录1、绪论........................................................61.1 研究的背景................................................61.2 研究的内容................................................61.3 研究的目的与意义..........................................62、研究的方法..............................................................................................62.1 案例对比法2.2 资料收集法3、研究的步骤..............................................................................................63.1 准备阶段3.2 查阅资料阶段3.3 分析整理阶段3.4 设计阶段3.5 总结反思阶段4、主要工作的内容.......................................................................................74.1 故事梗概4.2 场景设定4.2.1 广州上世纪九十年代的建筑（鸳鸯楼）室内设定4.2.2 普通学校操场场景外景设定4.2.3 普通街道场景外景设定4.4 鸳鸯楼的平面顶视图布局4.5 人物设定4.5.1 人物介绍描述234.5.2 人物关系4.5.3 人物心理特征5、后期合成...............................................................................................65.1 画面气氛和风格定位5....
